Guitar Empire makes the New Straits Times in the Business Times section!

After years of hard work, the company Mama Treble Clef Studio and Guitar Empire are making their name in the Malaysian musical instruments industry. We are honored to be featured in the New Straits Times in the Business Times section; featuring company director and multi-instrumentalist Eizaz Azhar, who is arguably one of the youngest self-made businessmen in the music industry at the age of 26.

We thank our loyal supporters, students, customers, friends and family for we would have never made it without your support. Always looking for the next big thing, we will not let you down!

BroXCute (Harimau Malaya band) Live MTV Shooting!

We've come back with a new recording studio and recording equipment! We brought the local Malaysian pop-punk band, BroXCute for a live recording and music video production. The band BroXCute shot to internet fame through their song "Harimau Malaya" (the name of the Malaysian football team - translated to "Malaysia Tigers). They've recorded several songs before, but this is their first time producing a live MTV for the band.

The studio is located at Guitar Empire, Lot 3-101, 3rd Floor, Endah Parade, Kuala Lumpur and you can contact them at 03-95432201. Attached are some photos of the band in the studio; stay tuned for the video production, coming soon! This is their original recording... http://www.youtube.com/watch?v=F6x7oTh-MN0


With our President 5-piece Drumkit


Sound engineer Eizhan Azhar hard at work


Guitars used for the recording session - Fender Stratocaster and Shredder electric guitars


Frontman of BroXCute, Shah with his trademark Harimau Malaya shirt!


Guitarist, bassist, drummer and singer... full band shot


Multi-instrumentalist Eizaz Azhar filling in for the rhythm guitar player





BroXCute!!

How To Start A Business

“Looking for independent, confident individual willing to take on the world single-handedly. Any age, any gender, no experience required. Must be very motivated, strict yet flexible, outspoken yet reserved, and above all willing to work without pay at your own expense for several months at the bare minimum. Job scope vague and must be able to juggle accounts, human resource, sales, public relations, personal life and have money left over to repeat routine over and over again.”

I admit that it is a rather off-putting ad which wouldn’t receive any calls – but while it isn’t the world’s greatest job advert, that’s really what it is when you run your own business.  Undoubtedly one of the manliest ways to make a living, rest assured this isn’t for the faint of heart (and faint of work)!

Registering A CompanyIt is possible to operate a business without a company, address and/or venue, such as a home-operated business. But having a company to put it all under makes accounts and cashflow much easier to manage as it isn’t mixed up under your personal savings account. To do this you need to pay a visit to the Malaysian Registrar of Companies (Suruhanjaya Syarikat Malaysia) to pick a name and legally register it.

There are generally two types of companies that can be registered; a private limited company (Sendirian Berhad) and a sole proprietorship (commonly - and wrongly, I believe - known as an “enterprise”), both with advantages and disadvantages. A Sendirian Berhad company is a properly licensed legal entity, with paid-up capital and subdivision of shares among the owners. As a separate legal entity, the company’s debts are separated from the owners’ debts – which means the company is only liable to pay back a maximum value of paid-up capital should it fall into debt, therefore protecting personal assets of the owner. As a sole proprietorship/partnership, the name and company is basically an extension of the owners and any liabilities are borne by the owners’ personal assets directly - and should the owner pass away the business is no longer valid unless in the case of a partnership (under the impression that the partner(s) survives).

On the other hand, starting up a sole proprietorship is much simpler and economical – the registration cost , which is basically all you need to own the name, would cost you only RM95 should you do it yourself, which I would highly recommend to get familiar with the system. There are no tax audits (all done in-house), no company secretary to sign legal documents, no resolutions or AGMs (annual general meetings) to call for and as such, a vast majority of businesses out there are sole proprietorships. Bear in mind that this requires a lot of trust should other partners be involved as there is no law and/or legal agreement regarding shares and ownership – the form only lists down the name of the partners and nothing more!

Naming Your CompanyYes, it’s just a name, that’s true but there are certain words that cannot be used as a company name unless under specific orders from a government body supporting it. For example, the word “King” is disallowed as it is associated with royalty – a good example is why the parent company of Sushi King in Malaysia is called “Sushi Kin Sdn Bhd”, intentionally missing the letter “g” at the end. Any name associated with a political party is also disallowed – which means “UMNO Photo Printing” and “Nasi Kandar Pakatan Rakyat “ are out of the picture. Anything to do with the corporate definition of securities (“Securities Trading”, “Stock Market”, “Bursa Saham”) are also unusable so check with the Registrar before you go about designing that logo and font that took weeks to perfect only to find out that the name cannot be used.

Another issue with a name, this time for practicalities’ sake – is that one must be able to spell and write down the company name with ease. The name “Max Karl Ernst Ludwig Planck Sandwiches”, as interesting and memorable a tribute to the great physicist as it may seem, is a nightmare for our local Malaysians to spell and write down. All someone has to do is to miss a letter in it for a cheque to bounce, taking up precious time and throwing a wrench in your banking movement. But say you like the name “Max Karl Ernst Ludwig Planck Sandwiches” and want to keep it (you must really REALLY like this name) it is always possible to trademark it and run it under a parent company, as with the case of Sushi King.

Actually Running The CompanyHundreds upon thousands of books and articles have been written with regards to running a business, and like this article, there are hundreds of thousands more to come. While the basics of running a business remain (i.e. proper balancing of cashflow, profit vs loss, stock checking, etc) each business is unique; methods that may work for others might not work for you and vice versa. It’s all about experimenting and taking a risk – but above all, the one word that should always be in the mind of a businessman is consistency. Consistent opening hours, consistent stocks and products, consistent salesmen and consistent operating hours will result in consistent cashflow and income. Consistent headaches as well, mind you but it’s all part and parcel of the game.

There you have it! In a nutshell, this is how most businesses start up; in upcoming articles I hope to write about more business strategies and out-of-the box thinking for company growth and capital gain.

Now if you’ll excuse me, an attorney from the Max Planck Foundation is here to see me...!

Menteri Belia dan Sukan Dato' Sri Shabery Cheek learns Saxophone

Hi guys! Eizaz here with a new tale for all of you - this was definitely one of the more interesting stories I have to tell throughout my teaching career. As a teacher, I encounter students from all walks of life; from the race car driver and stuntman, to factory workers, doctors and the vice CEO of a bank - and today I have one such interesting story to share! I taught the Malaysian Minister of Youth & Sports, Dato' Sri Shabery Cheek to play the saxophone, along with some photos. Together with this is a tutorial for beginner players and is basically how I start off every student. Due to the honorable Minister's extremely busy schedule I was only able to run through a one-hour crash course with him and somehow he caught up as you will see at the end of this article!

Back to basics; I usually start off teaching students how to assemble the saxophone and its parts. I cover the reed, mouthpiece, ligature, neck and strap as well as proper positioning of the hands and fingers. I would suggest students to start off with the alto saxophone first, which is arguably the least resistant saxophone to begin learning on as compared with the soprano which requires a firm, well-trained embouchure and the tenor/baritone which are larger and more cumbersome to move around and balance.

Next I will usually go cover the topic of breathing and breath support by having the student play just the neck and mouthpiece with the reed attached. This allows me to correct any improper positions in embouchure as well as to get the student blowing smoothly and in a consistent manner. I will also go through basic breathing exercises to induce the use of the diaphragm muscle which must be trained to support the lungs in order to attain a consistent flow of air.

Once the student gets the hang of blowing the neck and mouthpiece, I will introduce the entire instrument and proper finger positioning. Neck strap position is of great importance and the student must be able to let the horn's weight rest completely on the strap instead of supporting it with the thumb.

Getting closer to the end of the crash course; playing the first few notes and a scale on the saxophone. I will introduce the notes B, A and G as well as the proper finger positioning for the keys. In the rare case the student learns quickly I proceed to the D major scale and introduction of the octave key.

Once the student is comfortable with the weight and position of the saxophone, he/she can then freely move around and look cool while at it! It is important to be able to move without feeling restricted and treat the instrument as an extension of your body. Smile and look good!

This is the end result of our crash course! Dato' Sri Shabery Cheek was able to play a scale and proved himself to be a very quick learner and student of the instrument - trust me, to pick up a new instrument isn't easy even for seasoned musicians. We hope that the Minister of Youth & Sports will serve as an inspiration for the younger generation and that if he can do it, they can too!

Malaysia Boleh!

Mama Treble Clef has just been announced as a new distributor of Boulder Creek Guitars and Riptide Ukuleles! The Boulder Creek name represents the best in price and quality and have the feel and sound of guitars costing twice the price.

Boulder Creek Guitars has restarted the stalled evolution of the acoustic guitar. Ever since the “X” bracing system was patented 150 years ago, the status quo has reigned supreme. Boulder Creek Guitars believes that there is a better way to brace a guitar. That is why we have developed the exclusive Suspended Bracing System or “SBS” (patent pending). The “SBS” is a suspended bracing system and the first of its kind within the industry. It focuses on freeing the soundboard and allowing more vibration to produce a better tone and more sustain. The system works by utilizing aluminum tone bars that not only make the construction of the bracing system more durable but also allows the top to be free from the constrictions of the standard X bracing system.

The X bracing system was patented in the 1850’s and has been the industry standard since that time. If you stop and think about it, how many other technologies from the pre-civil war era remain in use? The answer, not many. While others have been happy to remain in this rut, Boulder Creek Guitars believes that relying on convention has hurt the industry and that it is time for a change.

The “SBS” system utilizes the best of the X bracing system with new technology, giving the player the best of both worlds.

When the “SBS” bracing system is incorporated with the new Boulder Creek “Solitaire” design, the sustain and tone quality are even more prevalent. By not cutting a large hole in the front soundboard of the guitar, the soundboard area is increased and the top vibrates more evenly and greater sustain is achieved. By relocating the soundhole on the top of the guitar, the player hears the deep rich tones that come from the inside chamber of the guitar. Since low frequencies are omni directional, the lows are heard all around the guitar. Mids and high frequencies that come from the front of the guitar are also increased. All in all, a totally new way for a totally new sound from an acoustic guitar.

Boulder Creek Guitars

The Evolution of the Acoustic Guitar

Beginner Guitar Guide by Eizaz Azhar

Being Manly 101: Playing a Manly Instrument - Guitar
Let’s face it; one time or another, there will be a moment in which your Guitar Hero skills won’t cut it anymore. Be it a housewarming party or a bar with a live band, it is inevitable that you will have to call upon your musical skills and play a guitar – like it or hate it, the instrument is here to stay so put down that controller and we’ll have you strumming something by the end of this article which will guide you from start to end; purchasing your first guitar to brands and chords and songs... And yes, it does get you the attention of the girls (as with everything else in the Manly 101 series).

#1: Buying A Guitar
This is a very important part of the article as most people have no idea where to start when they get around to purchasing their first instrument. To begin, there a few types of guitars out there, namely acoustic, classical, electric and bass. Arguably the most popular guitar out there, this article will focus on the acoustic guitar due to its low price and ability to be heard in almost any situation (although the techniques mentioned here remain the same regardless of guitar type). Putting aside that beat-up old heap of junk that resembles an extinct Grecian instrument – sans the value - on your flatmate’s couch, I would recommend getting your own instrument at one point or another. In this way, not only will you get familiar with your instrument, but it will also be available for you to play at any moment to practice, or strum a few chords.
As far as brands are concerned, as of recent the variety of brands on the market are nothing short of overwhelming. Some famous brands are Taylor, Martin, Yamaha, Gibson and Fender but expect them to cost a bomb, especially if they’re made in Europe, Japan or the USA! Anyway, everything is fair game from RM150 to RM15,000 – it all depends on how much your budget is for an instrument. My suggestion as a teacher is to get a relatively inexpensive guitar, but not to the extent that it compromises touch (the way it responds to your fingers) and ease of playing; I would personally set a budget of around RM300-500 for a serious beginner instrument.
Don’t get too hung up on brands as around this price range, all guitars – even the branded ones are mass-produced in China, so there really isn’t much to be picky about (which means a few barely noticable dings and knocks, imperfect finishes, etc are inevitable). Bear in mind that within this range, branded guitars will usually cost more, but will not necessarily be better than an unbranded guitar at the same price. Listen to the sound of the guitar; hold it; feel how it handles in your hands. And don’t have an unrealistic expectation of a RM300 guitar to look, feel and play like something ten times its price – you get what you pay for!

#2: Playing The Guitar
Now that you have a guitar, let’s learn the basics. You can play it standing or sitting down; if you stand you will need a guitar strap to sling it around your shoulder. You can see my position, both standing and sitting in these photos.

As you can see, when I sit down with the guitar I balance it on my leg which is crossed over. This enables me to balance the guitar and even with my hands off, it will stay in its position. As for the standing position, I generally have the guitar higher than usual – the closer it is to your chest, the easier it will be to handle and play. No I don’t understand how you can play the guitar as low as Green Day and not suffer from back problems...!

Anyway, we are going to learn three positions on the guitar fretboard, called chords in this article; G, C and D. Hopefully this makes sense to you.

These are the finger positions for the chords above, which can be used to play many, many songs. The black dots represent your fingers on the guitar, while the hollow dots refer to open strings (no fingers touching), and no symbol means the string is not played. We take for example, the song “Wonderful Tonight” by Eric Clapton; it starts with a G, D, C, D that repeats throughout the song with minimal changes. I can’t possibly elaborate everything all at once and it wouldn’t make sense anyway, so here’s a video that I made to help you out. http://www.youtube.com/watch?v=Ntv7Ax_Sq5M This video is basically a guide to the guitar and its parts, to augment this article – it should get you up and playing in no time! Yes this was made a long time ago – no comments on the hairstyle please...

#3: Performing On Stage
Being on stage isn’t as simple as it sounds like. It’s a lot of pressure and everyone has their eyes on you – but part of being manly is taking up the challenge! Being on stage is a whole different thing altogether; it takes a lot of practice, knowing your stuff and more than anything else, preparation. Practice a song until you can get it right, by memory, and get it into your system. Meaning you can pull it off at any moment, on any other guitar, upon any number of an audience. It’s a real test of nerves and confidence, but the goal of playing an instrument is to ultimately to share your music and be appreciated by others. Just for laughs – and I did get some – this is a video of me busking by the roadside in China before I got chased away by the military police.

Above all, please remember that it’s just music; the world won’t end if you play a wrong note or make a mistake. Nobody dies – you aren’t piloting a commercial airliner for heaven’s sake! Go out there, have fun and play your heart out. Enjoy the moment and bask in the glory – do it well and you’re the man of the moment!

Hello everyone! Eizaz here, and this is the end result of all our hard work over the past couple of months. Everything is finally complete; all teaching rooms, offices, stage, jamming studio and recording studio all under one roof. I'll allow the pictures to do the talking!

The Mama Treble Clef board of directors and the new premises. Finally we have a photo - it's about time!

This is the interior of the store, our selection of electric guitars, amplifiers and keyboards, From Fender to Ibanez, Gibson and ESP, we've got them all!

Our bass selection encompasses entry-level basses from RM400 to professional-grade instruments costing thousands of dollars. Our in-house repairman and luthier ensures quality control throughout.

The higher range of guitars and basses go here. We carry American Stratocasters, Mexican Stratocasters, Music Man, Japanese Ibanez Prestige and the new Ibanez Premium range. We've also got a selection of Taylor acoustic guitars so check them out!

This is the new recording studio and a wicked, kicking set of drums and cymbals. We will lease the studio out for practice at RM50 per hour, and recording rates from RM100 per hour, including mixing and some minor engineering. Full miking for the drumkit and a killer room to boot!

This is a photo of yours truly at his drumkit. I've been playing for years and years on the same Tama drumkit before we moved here and I finally have a proper drumkit with proper cymbals, pedals and hardware. There is much to add on to the kit, like a cowbell and percussion but after years of waiting I finally have something proper! For comparison's sake this is what the drumkit (and player) looked like around 4 years back.

More photos of us in the studio.

And this is a photo of my partners and their lovely daughter. We've gone through so much in the past few years and I am very grateful to have met them along the way. Through thick and thin (man, when it was thin, it was THIN) we've somehow managed to reach the next level of development together. There's more to come from the team so stay tuned and please drop by - you are all invited for the grand opening!

Jack Thammarat Live Clinic, Presented by Mama Treble Clef Studio in co-operation with Yamaha Malaysia

By Eizaz Azhar

What a day it was! On the 11th of November, 2011 - 11/11/11 (an interesting date as well), the guitar virtuoso and YouTube superstar Jack Thammarat, winner of Guitar Idol 2009, came all the way from Thailand to do a guitar clinic for our students and regular customers.

We basically set up the stage, sound system, mixers and amps and drums and lights and everything you can imagine in the span of two days. Here are some of the interesting equipment I had to set up on the day;

You see, Jack is a newly-crowned Laney artist so all the amplifiers on the day were Laney amps. Jack's personal amp is the new Ironheart; it's a 300W monster tube amp with incredible tone and warmth. Each amplifier was miced up using a condenser mic directed at the speaker.

For the gig I used a hybrid drum kit ala Akira Jimbo style; it's basically a DTX520 combined with real cymbals and my favourite Pearl steel snare drum from the late 90s. I used the DTX for the kick and toms, mixed together and lined out into the mixer (my trusty Iron Cobra Power Glide pedals are also visible) whereas the snare and cymbals were miced up. All in all I got apretty good sound - but alas the overheads weren't plugged in for the gig and I lost my cymbal sounds! Oh well.

This was the stage setup for the day; I'm running everything through a Yamaha MG24FX mixer and a smaller cheap power mixer on the left for the stage monitors. Each channel is I/O-ed into a Roland UA-101 audio interface for mixing with Cubase. I usually mix digitally so I can save the settings and edit them easily. The house system is powered by two 1200W power amplifiers and a Behringer EQ (set to flat - didn't have time to balance everything), a crossover and a compressor. (P.S. everything here you can purchase from Mama Treble Clef Studio - call 03-95432201 and we can help you set up a stage and sound system and balance it as well.)

The bass amp was DI-ed (direct inject) to the mixer and we had 4 stage monitors. The house system was run through a set of EV 15' speakers and 18' subwoofers - I was quite pleased with the sound overall!

Guitar virtuoso Jack Thammarat gives a live clinic on the stage of Mama Treble Clef Studio. Held on the 11th of November 2011, Jack runs through some of his pieces in this video series and even jams with our in-house teacher's band at the end! It was an awesome show, with a full house of over 120 people and everyone had their photo and guitars autographed by Jack. We hope to have him here again!

Guitar: Jack Thammarat

Guitar 2: Lee Onn

Guitar 3: Mustaffa "Tapok" Ramly

Bass: Tengku Dinkhalish

Drums: Eizaz Azhar

Sound Engineer: Eizaz Azhar

Thammarat (born December 25, 1979) is a guitarist from Thailand. Best known as the winner of Guitar Idol 2009 competition. He has acknowledged the influence of many guitarists including Pop the Sun, Prart, Joe Satriani, John Petrucci, David Gilmour, Alex Lifeson, Steve Vai, Eric Johnson, Steve Lukather, Gary Moore, Scott Henderson, Robben Ford, Frank Gambale, Greg Howe and more.

Finally everything comes together, and this is the result. Jack's videos are below - do enjoy the show!

Moving Premises and Company Expansion

By Eizaz Azhar

Hi guys! Most of you may know me as a teacher in the music store Mama Treble Clef Studio and in-house musician (technician/admin guy/IT department/repairman/brute strength lifting dude/the guy you turn to when everything goes wrong and want things fixed in the shortest time possible without prior notice) among other things. I've been given the task of chronicling events that will be going on for the next good month or two. So here I am, writing this on my (infamous red-flamed decorated Toshiba Qosmio that weighs 7kg) notebook in a new, empty lot that we will be moving in shortly. Thing is, we've been talking about moving and all for quite some time now as some of my students might be able to attest to, and it's finally coming around. This, however exciting and fun it may seem - and actually is, I assure you - poses a bit of an issue to some members of the team (okay only two), particularly Ray Lee (right) and myself.

A bit about the company background; we started out as a small, miniature lot with practically 3 guitars, 2 pianos and around 50 students back in 2005-2006. Back then it was much simpler; a 300 square foot room that we basically furnished and renovated ourselves. A few years later we came up with the recording studio which we also furnished on our own, and the current 3 conjoined lots which, yes, we did ourselves. One reason was due to our budget (read; lack thereof) and simply because we didn't have much to do around the tiny store anyway, and also picked up a bunch of skills - mainly dangerous, tiring and monotonous - like installing partitions, wiring the ceiling and lighting, as well as sitting in an enclosed room with cancerous toxic fumes.

And now we're moving for a third and possibly final time to this monster of a venue, enough to house all divisions of the shop, inclusive of a recording studio, performance stage, showroom, cafe and music classes (natural disaster relief spot, emergency gathering area - who knows what else, really).

So anyway, we've had some experience in renovating and doing things on our own as you can see, but this is a whole different experience. It's a different thing furnishing a 400 square foot venue versus a 13,000 square foot venue. First of all, the cost involved is much larger, and there are some things you just can't do without spending half a year trying to pry open (i.e. the air-cond ventilation ducts which are drawn from the shopping complex's mains). Then there's the issue of decorating the space, purchasing enough stock to fill it up so that it doesn't look like the North/South Korea demilitarized zone, and finding reliable staff that show up on time and disappear when required (as opposed to random times and the worst possible moments where you feel like strangling the nearest form of intelligent life not unlike a Phua Chu Kang script).

To Be Continued....

Solo Piano Performance by Siang Xi

Our in-house teacher Siang Xi, member of the fusion group JUNK plays his own composition in our studio, as a demonstration of pop piano playing. Enjoy!

Flute Tutorial by Eizaz Azhar

Multi-instrumentalist Eizaz Azhar covers the basics of flute playing in this video for beginners. If you're starting out on playing the flute, this is a good introduction to the instrument. Enjoy!

REVIEW: Jaxville Custom Series II Electric Guitar Package

INTRODUCTION
Guitars come in all different shapes and sizes, forms and colors - and is arguably the most personalized musical instrument of all time. They also come in all sorts of price ranges as well, depending on the player, experience and budget. Today's review will take a look at the new range of guitars from the brand Jaxville; Demon, Hades, and Zeus. Basically a guitar catered to the entry-level market, each guitar is adorned with high-quality airbrushed images which make for a stunning display on stage or in the studio.

OVERVIEW
The Jaxville Custom Series II guitars are distinctive designer guitars with a penchant for the stage. There are 3 "themes" to choose from: "Demon" showcases a red-and-black theme of flames, "Hades", named after the Greek god of the underworld depicts a shadowy figure in the moonlight, and "Zeus", the King of Gods, has lightning bolts splitting the guitar apart. Each guitar is finished in hi-quality gloss finish, with matching headstock and neck. All guitars are based on a Fender design, with three single-coil pickups and a rosewood neck, 22 frets each. The review unit was packaged with a 10-watt amplifier, a soft case and an instructional DVD.

FEATURES

Construction: Bolt-on

Body: Basswood

Neck: Maple

Fingerboard: Rosewood

Hardware: Chrome, covered

Controls: 1 Volume, 2 Tone, 5 way pickup selector switch
Frets: 22

Pickups: S-S-S

Bridge: Synchronized Tremolo

Pickguard: Black

Finish: Hi-gloss

Each guitar features a 5-way selector switch, two tone controls and one volume control to shape your sound. Every inch of the guitar is coated in shiny, gloss black with no wood to be seen, augmenting the guitar's stage appearance. The pickups emit a glassy, clear tone as expected from a single coil; rhythm playing and accompaniment work very well on the guitar. When put through an overdrive pedal, the guitar responds like a Fender Stratocaster, making it suitable for rock and even country playing. The neck is in the shape of a soft "C" neck reminiscent of a Telecaster; this guitar would be suitable for players who are comfortable with their thumb on the back or side of the neck. The guitar is slightly on the heavy side, perhaps due to the full gloss finish but in no way does the it affect the guitar's playability and balance. As for the supplied amplifier, it does a good job of a first practice amplifier to learn the basics on, but will surely need to be upgraded once the player reaches a certain skill level. The included DVD is informative and runs through many beginner issues, and is of a great help to those just starting out.

CONCLUSION

After spending some time with these guitars, it can be said that the Jaxville Custom Series II guitars are truly catered for the entry-level player who is looking for a different axe to try out. The eye-catching design will surely attract the attention of those who want to stand out, and considering the market pricing of the guitar, it looks like a great bargain. The Jaxville guitar comes in a package as well, alongside an amplifier, soft case and instructional DVD. The guitar plays well, stays in tune and sounds decent. If you're looking for something unique and different for a first guitar, by all means go for it!

Merry Christmas 2010

Multi-instrumentalist Eizaz Azhar plays his own rendition of the Christmas carol "Hark! The Herald Angels Sing" arranged for soprano, alto, tenor saxophone, piano and bass guitar. The carol is based on a melody by the great composer Felix Mendelssohn, originally created to celebrate the anniversary of the printing press by Johann Gutenberg (also known as the Gutenberg Cantata). Eizaz's setup is as follows:

William Soprano, Alto and Tenor saxophones
JodyJazz HR5 mouthpieces on soprano and tenor + Rico H Ligature
JodyJazz DV7 mouthpiece on alto + JodyJazz Ring Ligature
Rico Reserve 2.5 reeds on all horns

Merry Christmas 2010 and a Happy New Year! Eizaz can be found on Facebook:
http://www.facebook.com/#!/pages/Eiza...

All instruments played by Eizaz Azhar
Arrangement by Eizaz Azhar
Venue, facilities and instruments sponsored by
Mama Treble Clef Studio and ER Studios

Recorded in ER Studios. Camera & lighting by Eizhan Azhar. Mixed, mastered and edited by Eizaz Azhar. Engineered by Eizaz Azhar. Arranged and performed by Eizaz Azhar. For best listening results play video on large external speakers or a good pair of headphones as laptop speakers are unable to reproduce many of the frequencies.

Mama Treble Clef Studio & ER Studios are located at:
Lot 3015, 3rd Floor, Endah Parade, Sri Petaling, 57000 Kuala Lumpur MALAYSIA
Tel : +603-95432201
mamatrebleclef@gmail.com
erstudios.my@gmail.com

http://www.mamatreble.com.my
http://erstudios-malaysia.blogspot.com

Visit our new webpage at http://www.mamatreble.com.my

The student band from Mama Treble Clef plays under the tutorship of Malaysian multi-instrumentalist Eizaz Azhar. The band consists of students of various instruments who began from scratch for just under a year, so do forgive our mistakes (and the not-so-good singing!) The band's repertoire consists of classic rock and pop songs, sing-alongs and oldies - we're just a bunch of guys who want to have some fun! The Senior Band consists of:

Hamidi - Saxophone
Mustafa - Bass Guitar
Tommy - Keyboards
Ronnie - Drumkit
Eizaz - Guitar and vocals

Eizaz can be found on Facebook: http://www.facebook.com/eizaz.azhar
Arrangement by Eizaz Azhar
Venue, facilities and instruments sponsored by Mama Treble Clef Studio and ER Studios

Recorded in ER Studios. Camera & lighting by Ray Lee. Mixed, mastered and edited by Eizaz Azhar. Engineered by Eizaz Azhar. Arranged and performed by Eizaz Azhar. For best listening results play video on large external speakers or a good pair of headphones as laptop speakers are unable to reproduce many of the frequencies.

Mama Treble Clef Studio & ER Studios are located at:
Lot 3015, 3rd Floor, Endah Parade, Sri Petaling, 57000 Kuala Lumpur MALAYSIA
Tel : +603-95432201
mamatrebleclef@gmail.com
erstudios.my@gmail.com

http://mamatreble.blogspot.com
http://erstudios-malaysia.blogspot.com
http://guitarempire99.blogspot.com

A Malaysian In China - Man Bai's Kau Ilhamku

Visit our new webpage at http://www.mamatreble.com.my

Multi-instrumentalist Eizaz Azhar plays the classic Malay song Kau Ilhamku by Man Bai at a street in the middle of Shanghai. Behind is the famous Pearl Telecommunication Tower and the latest shopping mall. Originally busking for fun, a few Malaysian tourists recognized the song and are now fans of his music - and left a few tips as well! Eizaz can be found on Facebook:
http://www.facebook.com/#!/pages/Eiza...

All instruments played by Eizaz Azhar
Venue, facilities and instruments sponsored by
Mama Treble Clef Studio and ER Studios

Recorded in ER Studios. Camera & lighting by Ray Lee. Mixed, mastered and edited by Eizaz Azhar. Engineered by Eizaz Azhar. Arranged and performed by Eizaz Azhar. For best listening results play video on large external speakers or a good pair of headphones as laptop speakers are unable to reproduce many of the frequencies.

Mama Treble Clef Studio & ER Studios are located at:
Lot 3015, 3rd Floor, Endah Parade, Sri Petaling, 57000 Kuala Lumpur MALAYSIA
Tel : +603-95432201
mamatrebleclef@gmail.com
erstudios.my@gmail.com

http://mamatreble.blogspot.com
http://erstudios-malaysia.blogspot.com
http://guitarempire99.blogspot.com

Multi-Instruments Eizaz Azhar interviewed by MHI TV3

Pemilik Jamming Studio - teknik "Jamming Survival"

Assalamualaikum dan salam sejahtera semua. Saya pemilik sebuah studio jamming di Kuala Lumpur, Malaysia. Tujuan saya membuka blog ini adalah untuk berkongsi dengan anda semua, samada pemilik jamming studio atau seorang yang ingin memiliki jamming studio - jikalau anda mempunyai jamming room persendirian di rumah, artikel ini untuk anda! Idea ini sangatlah senang, tapi teramat penting untuk bertahan atau "sustain" sebagai sebuah studio - saya memanggilnya konsep "Jamming Survival". Konsep ini telahpun diterajui, dan dibuktikan berjaya oleh ramai individu dan jamming studio di serata negara. Ia telah menyelamatkan ramai pengurus jamming studio dari gulung tikar, dan bukan sekadar menyelamatkan, malah juga dapat mengembangkan business mereka ke suatu tahap yang lebih baik dan produktif. Biar saya ceritakan pengalaman saya sebagai seorang pemilik jamming studio.

Pada tahun 2004, saya dan rakan kongsi saya bertujuan untuk memiliki jamming studio sendiri. Pada masa itu, kami masing-masing telahpun menghabiskan pelajaran dan telah berkerja untuk jangkamasa yang tidak begitu panjang; kami pun mendapat idea bahawa jamming studio ini adalah suatu perniagaan yang agak menguntungkan, tambahan lagi kami pun ahli muzik. Kami membuka studio kami dengan modal RM20,000.00 untuk memulakan perniagaan ini dengan memakai equipment atau peralatan "budget", yang murah sekali. Kami menggunakan kotak telur sebagai "soundproofing", carpet yang murah dan pintu "single door" yang digunakan di rumah. Tak banyak wang yang diperuntukkan untuk pengubahsuaian, atau mengupah orang - kebanyakkan kerja dilakukan kami berdua.

Setelah siap kami pun mencetak dan membuat beratus-ratus salinan poster dan flyer untuk ditampal (secara halal dan haram) disekitar bandar Kuala Lumpur.

JAMMING STUDIO BARU

RM20 SEJAM

PANGGIL 03-95432201 UNTUK BOOKING

Beginilah rupa poster untuk permulaan perniagaan kami. Kami membuat 2 studio; Studio A (RM20 sejam) dan Studio B (RM18 sejam). Ramailah juga pelanggan yang datang. Ada dari merata Kuala Lumpur, ada yang dari daerah lain dan ada juga dari negeri lain untuk bersinggah di Kuala Lumpur. Bila sebegitu, masanya sudah tidak tetap dan banyak "clash". Banyaklah bergaduh dan tidak puashati diantara band apabila masa yang diberi tidak begitu sesuai. Setelah berapa bulan macam-macam masalah kami temui. Bukan saja masa "clash" untuk band, tetapi masa clash untuk kami dan keluarga kami sekali. Sebagai jamming studio masa untuk berbuka teramatlah lambat. Syif kami bertukar, 8 jam seorang, berkerja sebanyak 16 jam sehari - adakalanya lebih! Band buat hal. Pelanggan tak menepati janji masa. Peralatan banyak rosak, sentiasa kena turun KL beli baru, orang lepas tension dalam studio, sampai ada orang melakukan maksiat dan kegiatan dadah di dalam studio!

Setelah 6 bulan berlarutan, kami mula berfikir bahawa ini mungkin bukan sebuah idea yang bagus untuk sebuah perniagaan. Kami terpaksa berkerja teramat keras untuk pulangan yang sedikit. Tidak munasabah langsung, kami berbincang. Kami perlu memikirkan sesuatu untuk menyelamatkan perniagaan kami, tetapi apa? Kami mendapat purata RM150 sehari dan kalau didarabkan 30 hari maka pendapatan kami RM 4500 sebulan. Kalau ditolak dengan sewa , gaji , elektrik, air, maintanence, etc, cuma tinggal RM2500 sebulan. Dibahagi dua, seorang RM1250. Dengan kata lain keuntungan RM 2500 sebulan dan modal RM20000 ini adalah persamaan kepada 8 bulan kita dapat balik modal kita. Itu sudah memadai kalau berbandingkan dengan business lain yang mungkin mengambil masa 1-2 tahun untuk mendapatkan modal kembali. Sebenarnya tidaklah begitu teruk sekali perniagaan ini tetapi masalah pelanggan memang merunsingkan.

Kami membuat keputusan untuk menjual peralatan muzik untuk "back up" jamming studio kami. Dengan menggunakan RM2000 untuk membeli guitar, kami mempamerkan gitar di jamming studio kita dan dengan budak jamming yang keluar masuk, maka mereka telah menjadi "second batch" pelanggan iaitu 'retail customers' - mereka sewa studio dan beli alat muzik dan sales kami bertambah.. Setiap hari kita untung lagi RM200 daripada penjualan gitar-gitar tersebut, dan kami mula menggandakan gitar-gitar tu menjadi 20 -30 biji untuk display unit. Dengan penggandaan sebegini maka untung penjualan pun berganda ke RM 400 dan dengan sewa jamming RM 150, kami memperolehi keuntungan RM550 sehari dan RM16500 sebulan.

Pelaburan kami semakin meningkat. Gitar yang mulanya 10 buah berkembang kepada 30 buah, meningkat kepada 100 buah dan sekarang kami mempunyai lebih kurang 500 gitar dalam stor. Mengapakah perkembangan sebegini boleh berlaku?

Pertanyaan inilah isi kepada konsep "Jamming Survival". Aset atau harta terbesar anda bukanlah gitar Fender USA Strat, Marshall Valve Stack mahupun Tama Starclassic berharga beribu-ribu. Aset terbesar anda sebenarnya terletak pada band dan kaki-kaki jamming yang sentiasa datang jamming di studio. Merekalah yang akan membelanja wang secara konsisten terhadap perniagaan anda yang berkembang. Jika kita tiada produk untuk dibeli, mereka hanya membayar apa yang ada iaitu sewa jamming studio. Setiap kali mereka datang mereka membelanja RM 5 seorang. Mereka tak dapat belanja ratus-ratus kerana kita mempunyai produk untul dijual. Jangan lepaskan keuntungan penjualan gitar ini , padahal mereka akan membeli gitar suatu hari kemudian. Jika kamu tidak berubah atau berkembang, rezeki ini akan terlepas ke tangan orang lain.

Pengalaman sebegini ingin kami berkongsi dengan anda semua supaya anda juga boleh menjadi usahawan alat muzik yang terkemuka dinegeri kamu. Konsep "Jamming Survival" adalah satu idea yang boleh dikadikan batu loncatan dalam bidang ini. Konsep "Jamming Survival" akan memberi anda peluang keemasan untuk menjadi lagi besar dan meraut lebih banyak keuntungan. Dengan stok sebanyak 10-15 gitar, bukan saja ia dapat menghiaskan lagi studio tapi disamping itu ianya membolehkan anda membuat penjualan langsung kepada band dan kaki jamming. Jangan membazir masa lagi kerana anda akan kehilangan setiap saat yang tak akan berulang lagi. Bertindak sekarang sebelum lebih ramai orang lagi yang membuat demikian, kerana bidang ini masih mempunyai ruang dan potensi yang luas dimana tak ramai orang bergiat dibidang ini berbanding dengan bidang lain seperti handfon, cafe, kedai runcit dan sebagainya sebelum banyak persaingan.

Jika anda ingin mencontohi kami, bermula dari sini dan jikalau anda mampu membelanja RM 1500 untuk stok gitar, realiti untuk menjadi usahawan pemuzik akan menjadi kenyataan kelak. Dengan ini ingin kami menyampaikan pantun kepada saudara dan saudari sekalian sebagai tanda terima kasih diatas sokongan anda selama ini:

Di Kuala Kangsar kebunnya berbaja,

Pekebun rajin bertanam durian ,

Kerana keluarga dia membuat apa saja,

Semoga hidup sekeluarga nyaman dan aman.

Nak buka 'jamming studio' bukannya senang,

Business yang rugi kerana tak buat semakan,

Seperti tanam durian, memang tak senang,

Jangan pokok berbuah orang lain pula yang makan.

Renunglah pantun yang kami cipta ini; semoga ia juga memberi ilham kepada anda semua untuk terus berkembang didalam bidang ini. Kalau kami dapat melakukannya dengan membuat langkah pertama untuk stok 10-15 gitar, anda pasti dapat berbuat demikian.Kini gitar dikedai kami telah mencecah 1000 alat muzik termasuk gitar, keyboard, drumkit, violin, cello, viola, dan bermacam-macam lagi. Kita telah berjaya menjadi satu gitar supplier di semenanjung dan Sabah/Sarawak. "Jamming Survial" cuma adalah satu konsep; yang lain terletak di tangan anda. Cuma membelanjakan segelintir wang untuk stok gitar dan kamu pasti berjaya. Contohnya kalau budget kamu untuk beli drum adalah RM 3500 , dari sini kamu kurangkan budget drum ke RM 2000 dan baki RM 1500 kamu beli stok 10-15 biji gitar. Itu saja , ia tak melibtakan budget yang berlebihan. Cuma guna budget yang sama untuk dapatkan barangan yang lebih. Gunakan tapak jamming studio kamu untuk memaksimumkan keuntungan sebelum pelanggan jamming membelanjakannya dikedai gitar lain. Jika buka studio jamming, sambil-sambil itu boleh juga menjual barangan.

Jikalau kamu ada sebarang pertanyaan tentang "Jamming Survival", kamu boleh hubungi saya di talian 019-2212595 atau layari laman blog http://guitarempire99.blogspot.com dan saya sedia memberi anda nasihat dan panduan untuk mengembangkan business jamming studio anda.

Assalamualaikum.